Sandra

Kemmann

(Germany)​

(德国)

Sandra Kemmann, born in the Rhineland in 1970, is a German painter and mixed-media artist based in Berlin. She studied at the Kunstakademie Düsseldorf and worked as an assistant to sculptor Egbert Mainzer, experiences that sharpened her sensitivity to material, spatial structure, and physical process. Her practice has developed through sustained experimentation rather than adherence to a fixed stylistic system.

Kemmann’s abstract work explores the dynamic relationship between order and chaos. Her two interconnected approaches, LINIENTREU and KEMMANIA, move between disciplined repetition and intuitive disruption. Hand-drawn lines, grids, layered structures, and modular systems generate dense visual fields, while freer gestures, colour, and overlapping forms loosen and transform these structures. Repetition, accumulation, and revision make time visible within the surface, creating a tension between precision and spontaneity, stability and change.

Her work has gained increasing international visibility. In 2026, a major selection from LINIENTREU and KEMMANIA was presented in Time & Being at the Museums of the Castle and Residential City of Greiz, Germany. Further presentations include Cogitatio Artium at Kunsthaus Weiz, Austria, and an international exhibition at Hong Art Museum in Chongqing, China, during the 2026-27 season. In addition, her work has been featured in international art publications, including Visual Art Journal #46 and the art magazine PARNASS.

桑德拉·凯曼(Sandra Kemmann)1970年出生于莱茵兰,是一位现居柏林的德国画家和混合媒介艺术家。她曾就读于杜塞尔多夫艺术学院,并曾担任雕塑家埃格伯特·迈因策(Egbert Mainzer)的助手,这些经历磨练了她对材料、空间结构及物理过程的敏锐感知。她的艺术实践是通过持续的实验发展而来的,而非拘泥于固定的风格体系。
凯曼的抽象作品探索了秩序与混沌之间的动态关系。她那两种相互关联的创作方法——“LINIENTREU”和“KEMMANIA”——在严谨的重复与直觉性的颠覆之间游走。手绘线条、网格、分层结构和模块化系统构成了密集的视觉场域,而更自由的笔触、色彩和重叠的形态则松动并转化了这些结构。重复、积累与修订使时间在画面表面得以显现,在精准与即兴、稳定与变化之间营造出张力。
她的作品在国际上获得了日益广泛的关注。2026年,LINIENTREU和KEMMANIA系列的精选作品在德国格赖茨城堡与住宅城博物馆举办的“时间与存在”(Time & Being)展览中展出。其他展览还包括奥地利韦茨艺术馆(Kunsthaus Weiz)的“Cogitatio Artium”展览,以及2026-27展季在中国重庆洪美术馆举办的国际展览。此外,她的作品还曾刊载于《视觉艺术期刊》第46期和《PARNASS》艺术杂志等国际艺术刊物。